Open October 2 – November 14, 2025
Richard DiebenkornBlue with Red
Helen FrankenthalerSavage Breeze
Donald JuddUntitled
Ethel MarsUntitled
Ethel MarsGarden Party
Ethel MarsUntitled
Ethel MarsSeated Woman with Child
Ethel MarsLa Terrace
Ethel MarsUntitled
Ethel MarsLe Serin
B.J.O. NordfeldtThe Branch
B.J.O. NordfeldtThe Art Student, the Painting Class
B.J.O. NordfeldtShorecoming Sailor, My Hero
Fred SandbackUntitled
Maud Hunt SquireClamdiggers
Maud Hunt SquireA Fisherman
Wayne ThiebaudCandy Apples
Juliette S. NicholsExhibition of Woodblock Prints with the Provincetown Printers at Brown Robertson Gallery
Arthur Wesley DowDories on the Shore
Ada Gilmore ChaffeeWalking to Wellfleet (Gossip)
Ada Gilmore ChaffeeHanging Quilts to Dry
Edna Boies HopkinsMountain Women (Two Women in White on a Hill)
William ZorachSailing, Provincetown
About this exhibition
Susan Sheehan Gallery is pleased to present Block Party, a group exhibition of woodcuts by American master printmakers from 1895 to 1997.
Woodcut, the oldest form of printmaking, is a relief process in which an image is carved into a wooden block. The raised surface that remains is inked and printed, leaving the recessed areas blank in the final print. Deceivingly simple, woodcuts require meticulous planning and craftsmanship.
Block Party features American artists who rise to the technical challenges of the medium. Helen Frankenthaler adjusts the medium to her expressive standards in Savage Breeze, adding a base layer of white to brighten the colors layered above. Richard Diebenkorn and Wayne Thiebaud employ traditional Japanese woodcut techniques to achieve planar simplicity in Blue with Red and Candy Apples.
B.J.O. Nordfeldt’s Shorecoming Sailor, My Hero and The Art Student, the Painting Class are rare examples of the white-line color woodcut, a single-block method for color printing that uses carved outlines to separate individually hand-painted areas. Pioneered by Nordfeldt, the white-line color woodcut was further developed by the Provincetown Printers, a highly experimental group of artists who settled in the coastal Massachusetts town in the early 20th century. The aptly named “Provincetown Print” brought new life to the medium, drawing on the traditions of Japanese ukiyo-e woodcuts and European modernism to produce vibrant, painterly compositions. Thematically committed to traditional subject matter, the Provincetown Printers portrayed scenes of daily life on the Cape. In William Zorach’s Sailing, Provincetown, a family of three sails along the Provincetown coast.
Fellow Provincetown artist Blanche Lazzell later pushed the medium toward abstraction, a direction foreshadowed by the stylized color woodcuts of Ethel Mars, Maud Hunt Squire, and Ada Gilmore Chaffee.
Additional contemporary woodcuts by Vija Celmins, Donald Judd, and Fred Sandback underscore the medium’s enduring appeal to artists, offering fresh perspectives on this centuries-old process.
See Block Party at Susan Sheehan Gallery from October 2 – November 14, 2025.

Donald Judd – Untitled

Helen Frankenthaler – Savage Breeze
Richard Diebenkorn – Blue with Red

Vija Celmins – Night Sky Woodcut
Fred Sandback – Untitled
Wayne Thiebaud – Candy Apples

Ethel Mars – Untitled
Ethel Mars – Garden Party

Ethel Mars – Untitled
Ethel Mars – Seated Woman with Child
Ethel Mars – La Terrace
Ethel Mars – Untitled
Ethel Mars – Le Serin
Ethel Mars – Untitled

Maud Hunt Squire – A Fisherman
Maud Hunt Squire – Clamdiggers
Maud Hunt Squire – Untitled

Ada Gilmore Chaffee – Hanging Quilts to Dry
Ada Gilmore Chaffee – Walking to Wellfleet (Gossip)

B.J.O. Nordfeldt – The Art Student, the Painting Class
B.J.O. Nordfeldt – Shorecoming Sailor, My Hero























