Ellsworth Kelly
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Green Black
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Blue Yellow Red
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Dark Gray Curve (State I)
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Green Curve
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Red-Orange (Rouge-Orange)
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Color Squares 4
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Blue and Orange (Bleu et Orange)
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Green Curve (State II)
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Two Curves
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Color Squares 3
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Black Green
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Green Curve with Radius of 20′
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Blue Green
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Yellow Red-Orange
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Black Variation III
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Yellow
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Black Variation VI
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Black Variation V
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Blue Black
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Yellow Black
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Yellow Orange
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Blue White Red
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Green White
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Blue Red-Orange Green
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Colored Paper Image XVIII (Green Square with Dark Gray)
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Colored Paper Image VI (White Curve with Black II)
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Colored Paper Image XX (Brown Square with Blue)
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Colored Paper Image XV (Dark Gray with Blue)
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Colored Paper Image I (White Curve with Black I)
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Blue over Green
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Orange over Green
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Blue and Green over Orange
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Black Yellow
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Untitled
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Leaf I
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Leaf VI
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String Bean Leaves III
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Leaf VIII
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Philodendron I
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Leaf XI
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Saint Martin Tropical Plant
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Leaf V
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Melon Leaf
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Philodendron II
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Daffodil
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Oak I
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Grape Leaves I
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Oak II
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Leaf IV
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Oak V
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Leaves
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Leaves
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Mulberry Leaf
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Leaf VII
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Leaf II
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Leaf IX
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Wild Grape Leaf
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String Bean Leaves II
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Dracena II
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Pear I
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Pear III
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Leaves
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Oranges
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Peach Branch
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Ailanthus Leaves II
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Catalpa Leaf
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Drawings to Benefit The Foundation for Contemporary Performance Arts, Inc. (Tulip)
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Ellsworth Kelly, Portikus (Black Curve)
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Ellsworth Kelly, Leo Castelli, NY and Blum Helman, NY (Black Curve II)
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Ellsworth Kelly, Museum Overholland (Degas)
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Ellsworth Kelly Painting & Sculpture 1966-79, Hayward Gallery (Black/Green)
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Ellsworth Kelly: The Years in France, 1948-54, The National Gallery of Art (Tiger)
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Kelly, Galerie Maeght (Red over Green)
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L’Art Vivant aux Etats-Unis, Foundation Maeght
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Ellsworth Kelly, Yellow Curve – Portikus (Black Border)
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Merce Cunningham Benefit (Rose II)
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Ellsworth Kelly (Red, Green, Blue)
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Ellsworth Kelly, Staatliche Kunsthalle (Chatham XII, Yellow/Black)
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Ellsworth Kelly, Galerie Denise Rene Hans Mayer
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Tendance, Galerie Maeght
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Ellsworth Kelly, Till Brancusi (Diagonal with Curve VII)
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Ellsworth Kelly, Museum Overholland (Black Rebound)
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Ellsworth Kelly: The Early Drawings, 1948-55 (Red Yellow Blue)
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Ellsworth Kelly, Westfalischer Kunstverein
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Ellsworth Kelly, Posters 1951-2001

About Ellsworth Kelly
Ellsworth Kelly was born in 1923, in Newburgh, New York. He studied at Pratt Institute in Brooklyn before being inducted into the Army in 1943. Upon entering the service, Kelly requested to be assigned to the 603rd Engineers Camouflage Battalion, which took many artists. Eventually, he served in The Ghost Army, a deception unit made up of artists and designers which produced inflatable tanks, trucks, and other elements of subterfuge to mislead the Axis forces about the direction and disposition of Allied forces. After the war, Kelly studied at the School of the Museum of Fine Arts, Boston and the Ecole des Beaux-Arts in Paris. In France, he discovered Romanesque and Byzantine art and met many fellow artists. He returned to New York in 1954 and had his first New York City exhibition at Betty Parsons’ Gallery two years later. After living and working for several years in Coenties Slip, Kelly moved to Spencertown in 1970 where he lived and worked until his death in 2015. Kelly began creating prints in the mid 1960s, first producing the Suite of Twenty-Seven Lithographs (1964–66) with Maeght Éditeur in Paris. Later, he would primarily collaborate with Gemini G.E.L. in Los Angeles, completing over 250 lithographs, screenprints, aquatints, etchings, and sculpture editions at Gemini. In 1959, Kelly was included in the Museum of Modern Art’s ground-breaking exhibition, Sixteen Americans . Two years later, he was invited to show at the São Paulo Biennial. Kelly’s first retrospective was held at the Museum of Modern Art, New York, in 1973. A career retrospective was organized in 1996 by the Solomon R. Guggenheim Museum, New York.