Richard Diebenkorn
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image 1
Touched Red

1991
Medium: Etching with drypoint and aquatint
Sheet size: 35 3/4 x 26 1/2 inches
Printer: Crown Point Press, CA
Publisher: Crown Point Press, CA
Edition size: 85, plus proofs
Initialed, dated, and numbered in pencil, lower margin 

Price upon request

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image 2
Seated Woman on Sofa

1965
Medium: Lithograph
Sheet size: 24 x 19 inches
Printer: Original Press, San Francisco
Publisher: Original Press, San Francisco
Edition size: 100, plus proofs
Initialed, dated, and numbered in ink, lower margin 

$18,000

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image 3
Seated Woman with Hands Crossed

1965
Medium: Lithograph
Sheet size:  28 x 22 1/4 inches
Printer: Original Press, San Francisco, California
Publisher: Original Press, San Francisco, California
Edition size: 100, plus proofs
Signed, dated, and numbered, lower margin 

$12,000

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image 4
Seated Woman in Striped Dress

1965
Medium: Lithograph
Sheet size:  28 x 22 inches
Printer: Original Press, San Francisco, California
Publisher: Original Press, San Francisco, California
Edition size: 75, plus proofs
Signed, dated, and numbered, lower margin

$18,000

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image 5
Seated Woman Drinking from a Cup

1965
Medium: Lithograph
Sheet size: 27 1/2 x 20 1/2 inches
Printer: Joe Zirker
Publisher: Original Press, San Francisco CA
Edition size: 100, plus proofs
Initialed, dated, and numbered in pencil, lower margin

$22,000

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image 6
Seated Nude

1965
Medium: Lithograph
Sheet size: 26 1/4 x 20 inches
Publisher: Original Press, San Francisco, California
Edition size: 100, plus proofs
Signed, dated, and numbered, lower margin 

$10,000

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Born in Portland, Oregon in 1922, Diebenkorn moved with his family to San Francisco in 1924. After attending Stanford University from 1940 to 1942, he joined the U.S. Marine Corps, where he concentrated on art classes. In 1944 he was inspired by the paintings of Henri Matisse and Paul Cezanne. He particularly admired Matisse's technique of structuring space through planes of color, merging indoor and outdoor space. In 1946, Diebenkorn enrolled at the California School of Fine Arts and was awarded a fellowship. He moved east, living and working in Woodstock, New York, visiting New York City, and making many contacts. After returning to San Francisco, where he defined himself as a leading Bay Area artist, he was appointed to the faculty at the California School of Fine Arts in 1947.

Diebenkorn had his first one-person show in 1948 at the California Palace of the Legion of Honor. After receiving a degree from Stanford University in 1949, he was awarded an M.F.A. from the University of New Mexico, Albuquerque in 1951. Throughout the 1940s and early 1950s, Diebenkorn followed a distinctive abstract vocabulary of forms, stylistically rooted in the New York School, placing him firmly within the ethos of American modernism. 

However, in 1955 he shifted from abstraction to a more representational mode, making reference to observed subjects. Until 1967, when he returned to abstraction, Diebenkorn executed still life's, landscapes and interior figure paintings that present his finely tuned sense of color and structure.

In 1967 Diebenkorn taught at UCLA while he worked in a studio in the Ocean Park district of Santa Monica. There he created his last representational works, but returned to abstraction with his Ocean Park paintings. These abstract brilliantly colored works-both paintings and drawings-elicited great acclaim. Diebenkorn remained a prolific artist until his death in Berkeley, California, in 1993.

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